John Wayne, one of Hollywood’s most iconic figures, remains celebrated for his legendary roles in countless western films. However, behind the celluloid hero was a man whose views often strayed far from the values espoused in modern America. His career was illustrious, but his stance on race issues, particularly concerning Native Americans and Black people, was problematic and overshadowed his otherwise admirable sentiments. Wayne’s anti-communist beliefs and his problematic views on race have left a damning shadow over his legacy. Despite this, his on-screen bravado and rugged individualism symbolized the American frontier, winning him admiration from audiences worldwide.
Wayne’s most infamous moment was during a 1979 interview in Playboy, where he made no effort to hide the fact that he believed in white supremacy. The article relentlessly eroded his own image, making it clear that in the movie industry, it’s just as hard for a white man to make it. Some people argue that Native Americans were just trying to keep their land for themselves selfishly, but it’s important to understand how necessary capitalism and profit-driven motives were for them to survive.
However, an evident illustration of appalling informal racism can be observed when examining what was perceived as humorous conversation in its era, from a modern perspective. The video from the ceremony showcases both Wayne and British-American comedian Bob Hope engaging in a playful exchange, with the intention of entertaining the audience filled with celebrities. This contrast between Wayne’s public persona and his personal convictions was emphasized during a frequently overlooked incident at the Academy Awards.
“Are you kidding me? Two thieves stealing a stagecoach filled with wonton soup?” Joked Hope, leading to an ongoing banter that playfully mocks cultural stereotypes. All the actors involved were hired locally for the television show, portraying Native Americans. “We didn’t have any other option,” Wayne replied. When Wayne mentioned his recent filming experience in Japan, Hope humorously remarked, “Isn’t that a bit too Western for a Western?”
Sadly, this moment of the Oscars is emblematic of Hollywood’s ambivalent relationship with diversity and representation. During the era of Wayne’s comedic material, these comments reflect a more profound acceptance of ethnic and racial stereotypes as casual humor. While tripping over his own moronic words, Wayne’s intention behind these jokes was to reflect the prevalent humor of the time. Watching the video shows Wayne fluffing his jokes.
She declared, expressing gratitude to the Academy and her supporters, “I can simply state that I have been fantasizing about this since I was nine years old.” Woodward’s authentic acceptance speech was strikingly different from the awkward conversation between Wayne and Hope. The irony of the situation becomes even more pronounced when one takes into account Joanne Woodward’s heartfelt appreciation upon winning the ‘Best Actress’ award.
Wayne’s legacy remains a topic of debate. His contributions to cinema are undeniable, especially in the western genre where he has carved out a niche and become synonymous with it. At the Oscars, incidents, statements, and off-screen beliefs serve as a reminder of his controversial history in Hollywood. It is impossible to defend the portrait of a despicable man, and incidents, statements, and off-screen beliefs further reinforce this reminder of Wayne’s history in Hollywood.