Orange Is the New Black season 6 is a good argument for the show to end soon

The sixth season of Orange Is the New Black is caught between two conflicting desires.

The first impulse feels akin to the old penultimate season, which I’ve written about before, as one of the great story arcs in the final season of the show. The show uses a serialized format, positioning the characters in a great position for the story arcs in the upcoming seventh season, which has already been picked up for 2019. However, beyond that, it’s just yet another season that makes sense to think of as the penultimate, without anything but air in 2019.

The second inclination of season six is to serve as a soft reset season, where fresh characters are brought in and provided with substantial storylines that are clearly intended to establish them as characters we will develop an attachment to in the future. This will ideally provide the show with enough momentum to continue for many more years. (Orange Is the New Black has introduced new characters in nearly every season, but seldom with as much significance as in season six.) However, there is no concrete indication that season seven will mark the end of the show.

Starting a show can sometimes feel like a challenge, as it requires a lot of time and dedication to watch a full season. Often, there are not many complications or payoffs in the beginning, which means that it may not be very exciting. Additionally, both soft reboots and penultimate seasons tend to become tedious and require a significant effort.

Furthermore, in order to truly appreciate something, it is not just about having a strong desire for it, but also being genuinely interested in it. Although the fifth season of the show is not as well put-together as the previous ones, it still captures the chaotic nature of a prison riot that unfolds over a span of three days. Even though I was concerned that the season would lack direction with only a few episodes left, it manages to navigate the complex dynamics between the characters. However, the sixth season of Orange Is the New Black ultimately avoids this threat and continues to captivate its audience.

Orange Is the New Black season six is an intricate machine that maybe has too many moving parts

Orange Is the New Black
Taystee gets the best storyline of season six.
Netflix

The most appealing aspect of season six is the manner in which it significantly reduces the extensive ensemble of the show.

The characters from the former home of Litchfield Penitentiary, mainly featured in the show “Orange is the New Black,” have now been transferred to several other prisons in Ohio. Only a few of them now reside on the hill down from their former home, while the majority have been split up and transferred to other prisons. The season ended with a riot that resulted in the characters being stopped and the force with which it was ended.

It seems that in the sixth season of Black New, the core cast is aiming to push towards the end of the entire series, scaling back just to the ruthless economy. So, it appears that we only get a brief glimpse of our favorite character, a fan-favorite, in early prison in all seasons.

Introducing a plethora of fresh personalities, varying from the captivating (two elderly sisters harboring resentments towards one another and seemingly everyone else) to the utterly perplexing (a lady with an excessively exaggerated Boston accent who becomes a new competitor for Piper Chapman), nevertheless, the transition to the maximum-security prison setting signifies.

The storyline is fairly important, as it keeps the show’s characters expanding and always trying to find humanity in every single character. This is why Black Is the New Orange is so significant.

All of them need three or two storylines, and there are probably many more. The story leaves lots of characters, even those who are trying to go to the next one, wherever it may be. The characters seem to live in a present eternal, with references to political and contemporary pop culture. The series, which began six seasons ago, only happened a few days ago, marking the end of a major death that happened four seasons ago. This leaves the series trapped between its increasingly ungainly history.

At a certain point, the audience, who is naturally more invested, feels a little shortchanged when the storylines of dozens of characters collide in the finale of the sixth season of Orange Is the New Black, as there is no tracking as good as the show’s previous seasons, and it lacks the breathtaking feeling that came with the colliding of all their storylines.

It is especially noticeable that the former warden of Litchfield, Caputo, often tries to turn herself into a Taystee and Columbo in order to prove that she is not guilty of the terrible crimes connected to the riot. Through certain characters and the audience, it is known that she is not guilty, but she ends up on trial for some pretty terrible crimes.

It may be interesting to watch how Taystee handles being distracted by other things, but it’s unfortunate that her involvement in both the Black Lives Matter movement and the ACLU has turned into a célèbre cause. If she invests too far in trying to beat the charges leveled against her, it also has the unfortunate side effect of turning her into a supporting player in her own story. However, it’s important for Caputo to not get too involved in order to keep things from going bad.

The Taystee storyline effectively aligns with the theme, reinforcing the show’s core argument that within the prison system, there exists a type of privilege that shields inmates like Piper (the brilliant Taylor Schilling) while condemning individuals of color. Certain prisoners of color experience further ruin in their lives, whereas some white inmates attain a small triumph as the finale delivers a succession of emotionally impactful blows in this regard.

However, the series already has the inherent gravitas to portray how broken and morally flawed the prison system is — it also tries to give color to its characters’ pain, making the exploits of the series feel more intense than ever.

The only way to convey the political and social importance is by demonstrating whether one knows the seriousness of the matter.

The direction makes great use of blocking and staging to visually tell stories, even if you don’t understand what the sparkling dialogue is going on. The longer-term and shorter arcs are beautifully structured, balanced against each other in addictive ways. The acting is terrific. Orange Is the New Black remains one of the most watchable TV shows, as previously stated.

It may appear that each scene in the show has the potential to capture the attention of the audience, as it attempts to encompass every little corner of the universe. The love for the characters slowly grows with each season, and if the show were to continue for eight seasons, it would likely continue to captivate the audience. However, there is a sense of confidence in the story, leaving the viewers hopeful that the seventh season will not be the last. Despite the uncertainty, it is not difficult to compare this show to “Black New Is Orange.”